![]() ![]() “No artist in the 137 year history of the Met had as profound an impact as James Levine,” Gelb said in a statement. 17 and 21 in Florence, Italy, but the concerts were canceled due to the novel coronavirus pandemic. He had been scheduled to make comeback performances of Brahms’ ”Ein Deutsches Requiem” this Jan. He was fired the following March 12 and never conducted again. ![]() 3, 2017, the day after conducting a Verdi “Requiem” in what turned out to be his final performance, after accounts in the New York Post and The New York Times of sexual misconduct dating to the 1960s. Levine became music director emeritus and remained head of its young artists program but was suspended on Dec. Levine made his Met debut in 1971 and became one of the signature artists in the company’s century-plus history, conducting 2,552 performances and ruling over its repertoire, orchestra and singers as music or artistic director from 1976 until forced out by general manager Peter Gelb in 2016 due to Parkinson’s disease. Levine died March 9 in Palm Springs, California, of natural causes, his physician of 17 years, Dr. NEW YORK (AP) - Conductor James Levine, who ruled over the Metropolitan Opera for more than four decades before being eased aside when his health declined and then was fired for sexual improprieties, has died. Please look at the time stamp on the story to see when it was last updated. This is an archived article and the information in the article may be outdated. ![]()
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![]() ![]() ![]() ![]() I wish I could reincarnate Steve Jobs so he could go and work at Spotify and fire Daniel Ek and Gustav Söderström in an elevator because I honestly can't think of two individuals more deserving of such a fate. Who spends $100M+ without doing this? I'm guessing all you saw is subscriber numbers. You should have had, and implemented, a business integration plan, in place from day one. You should have known what you bought when you acquired rights to his podcast: it's called due diligence. I like the fact that he talks to people from a range of viewpoints, many of which I disagree with: I don't like the fact that it took a social media fiasco and a bunch of artists leaving to label and tag his episodes more responsibly. (Tangentially, since I mentioned Joe Rogan already, I'm unpleased that a bunch of songs have disappeared from my playlists because of Spotify's poor and purely reactive handling of his podcast. 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